Meera Subramanian
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Words Matter (omit useless ones)

June 15, 2026 By meerasub Leave a Comment

Omit Needless Words quote from Strunk & White

Most everywhere profs and teachers are submitting grades and students are scattering. I like to be contrarian. I’ve left Cape Cod and returned to the mountain that is Sewanee, Tennessee for another round—my seventh—of teaching creative nonfiction to a fine group of curious, crafty individuals at the School of Letters. It is here in the cool of the Cumberland Plateau that we can revel in this fact: words matter.

I was struck by this fact (again) when I finally watched the film H is for Hawk, the adaptation of Helen Macdonald’s sublime book of the same title. It was quiet and powerful in a way, I suppose, but being a story about interiority, about the collapsing struggle of grief and loss and depression, it just didn’t translate to the screen for this viewer. There was a contrived friend I don’t recall from the book that seemed like a set up for explanations, and it completely eliminated the second storyline that follows the complicated story of falconer T.H. White training his own hawk, as she is.

Man's hand removing falconry hood from a bird of prey

Falconry festival in the UAE by Meera Subramanian

Words matter. They can do so much to capture the heartbeat of human experience. I liked the movie, but I love the book. Have read it multiple times. Taught it. I use one passage to show how a writer can stop time and then breathe into it. Let it expand and take hold of us just by the careful decisions about pacing and word choice. When to let sentences tumble together and when to make them stop suddenly, iridescent and catching the light of experience. In the movie, she meets the gyrfalcon she wants to train for falconry. The scene is…fine. On the page, well, here, take a moment and read it, out loud, to revel in the sound of it, the way the images sear themselves into your mind’s eye:

Then he knelt on the concrete, untied a hinge on the smaller box and squinted into its dark interior. A sudden thump of feathered shoulders, and the box shook as if someone had punched it, hard, from within. “She’s got her hood off,” he said, and frowned. That light, leather hood was to keep the hawk from fearful sites. Like us.

Another hinge untied. Concentration. Infinite caution. Daylight irrigating the box. Scratching talents, another thump. And another. Thump. The air turned syrupy, slow, flecked with dust. The last few seconds before a battle. And with the last bow pulled free, he reached inside, and amidst a whirring, chaotic clatter of wings and feet and talons and a high-pitched twittering and it’s all happening at once, the man pulls an enormous, enormous hawk out of the box and in a strange coincidence of world and deed a great flood of sunlight drenches us, and everything is brilliance and fury. The hawk’s wings, barred and beating, the sharp fingers of her dark tipped primaries cutting the air, her feathers raised like the scattered quills of a fretful porpentine. Two enormous eyes. My heart jumps sideways. She is a conjuring trick. A reptile. A fallen angel. A griffon from the pages of an illuminated bestiary. Something bright and distant, like gold falling through water. A broken marionette of wings, legs and light-splashed feathers. She is wearing jesses, and the man holds them. For one awful, long moment, she is hanging head-downward, wings open, like a turkey in a butcher’s shop, only her head is turned right-way-up and she is seeing more than she has ever seen before in her whole short life. Her world was an aviary no larger than a living room. Then it was a box. But now is this; and she can see everything. the point-source glitter on the waves, a diving cormorant a hundred yards out; pigment flakes under wax on the lines of parked cars; far hills and the heather on them and miles and miles of sky where the sun spreads on dust and water and illegible things moving in it that are white scraps of gulls. Everything startling and newstamped upon her entirely astonished brain.

Man with falcon on his arm, its wings extended

Also from the falconry festival in the UAE, by Meera Subramanian

Oh, yes. YES. In class this summer, I shaped the syllabus around the 250th anniversary of this construct we call our nation, and the twentieth anniversary of the School of Letters, and we’re reading everything from Between the World and Me by Ta-Nehisi Coates to One Day, Everyone Will Have Always Been Against This by Omar El-Akkad and Late Migrations: A Natural History of Love and Loss by Margaret Renkl, but also wildly diverse (in every sense) writers from Henry Adams to Elissa Washuta to Jeff Sharlet. Wonderful, powerful words. May we never stop reading and writing to understand our place in the world.

And from the Department of Good News…

…Mine…

  • Lots of goodness is still happening with the new graphic novel, A Better World Is Possible, including an opinion piece I wrote for TIME on Earth Day, an interview with Bookstr, and a bunch of podcasts, some still in the works. There are new events, too, that you can find out about on the site. But two coming up quick…
  • If you (or someone you know) is in New Orleans this Saturday, June 20, come on over to Melba’s to get a Po’boy and snag a free copy of the book and ask me anything you like! High noon.
  • And then on Saturday, June 27, I’ll be in conversation with my friend, fab author, and fellow Sewanee faculty Jamie Quatro at Pennington’s Books in Chattanooga. Here are all the deets:
  • Back in May, Stories from a Warming World was a Moth-like storytelling event at CitySpace in Boston with my fellow BU MISI fellows. I took listeners to North Dakota, and other took them to New Orleans and California and Long Island Sound, each story echoing off the others. You can watch the whole event here:
  • And then I was back at CitySpace for the WBUR Festival to share the stage with the incredible singer-songwriter, and friend, Mark Erelli, bringing together songs from his new album Spring Green and my words and Danica’s images from the graphic novel. It was a plan we hatched last fall and it was such a joy to see it come to be.
  • Teens at the Museum of Science in Boston interviewed me (and Jocelyn Poste, who’s an educator associate at the museum) this spring as part of their YES Enrichment Career Explorations. The resulting short videos are to help teens expand their awareness of STEM-related careers. I wish I’d had something like this when I was in high school! Here are three of the videos:

Share

  • I have a behind-the-scenes look at the process of creating A Better World Is Possible in the SEJournal.
  • Smashpages had a nice write up associated with a Picture + Panel event I did with graphic novelist Katy Doughty, moderated by WBUR environmental correspondent Barbara Moran. It was fun talking about both the end of, and the bettering of, the world!
  • For the German speakers out there, my New Yorker piece on the tentative recovery of the vulture population in Nepal was reprinted in the European Reader’s Digest in German. Have a look here.
  • {Welp. After that roundup, now I know why I haven’t had the time to write a Substack for the last two months….}

And the good news of others…

  • Each spring I get to join a wonderful crew of writers and editors to select the next Matthew Power Literary Award winner. Or, rather, winners! This year, $15,000 went to the powerhouse journalist Danielle Mackey, who will be continuing her investigations into the complicated relationship between the United States and El Salvador. Runner-up Michael Adno will receive $7,500 to pursue a story of a botanic mystery in the Pacific Ocean. Can’t wait to see what these two produce. And if you’re a narrative journalist wanting to pursue a deep dive, keep this award on your radar. Applications go live in the winter.
  • Unvaccinated Under God by Kira Ganga Kieffer, who was our fearless assistant for the RESP fellowship, got a shout out in The New Yorker, which describes it as a, “concise and lucid history, grounded in the observation that anti-vaxxers are poorly understood in part because vaccine proponents shame skeptics as aberrant.” Kira instead explores the deep roots of vaccine hesitancy through the lens of religious belief as a way to move toward greater understanding.
  • Congrats to the talented writer Lavinia Spalding, who also happens to be my delightful sis-in-law, who once again edited the The Best Women’s Travel Writing. Volume 13. Cheers to all the storytellers in this latest edition.
  • Cheers also to fellow Sewanee faculty Rebecca Gayle Howell’s new book Erase Genesis. Here we are in conversation about it at Orion. Another Sewanee poetry prof and the leader of the new Hellbender Gathering of Poets, Nickole Brown, just signed a book deal with Timber Press for a book on cicadas. Could not be in better hands.
  • BU MISI fellow, photographer Julia Cumes has a new site up featuring her incredible work and a book in the works.

Journalists & writer friends, take note…

  • Sneaking up fast, but there’s still time to apply to the the Minnesota Northwoods Writers Conference, which takes place Tuesday, June 23 to Friday, June 26 at Bemidji State University.
  • Orion is offering an online writing workshop, Bel Canto: Writing the Lyric Essay, with Hannah Dela Cruz Abrams that includes generative writing prompts and a chance to workshop one full-length lyric essay. Deadline: June 20
  • Journalists in Ethiopia, Indonesia, Kenya, Kyrgyzstan or Madagascar looking to report on biodiversity or nature-based solutions should apply for Earth Journalism Network story grants of up to 1,800 EUR. Deadline: June 30
  • And for those in SE Asia, Mongabay is offering a Southeast Asia Ocean Reporting Fellowship. Deadline: June 25
  • Do you have a screenplay idea that incorporates climate change themes? NRDC and partners are offering a fellowship that grants $20,000 each to three writers to support development. Deadline: December 4
  • The Pulitzer Center is now accepting applications for its initiative focused on climate change and its effects on workers and work. Apply here.
  • Center for Health Journalism is offering journalists an opportunity to transform their reporting by training them to “interview the data” as if it were a human source with its Data Fellowship. Deadline: July 22
  • SEJ’s Energy Reporting 101 for Environmental Journalists webinar this Wednesday, June 12. 1-2 p.m. ET. Register here.
  • And I got to join Meaghan Parker and Ethan Bakuli for an Uproot Project event about how to “Get that Bag,” a webinar all about how to find and apply to the grants and fellowships that, unfortunately, are key to making a career in journalism work. Here’s a recording of the event:

I’m reading…

  • There was so little time for pleasure reading this spring but I did listen, as I moved from her to there and back again, to the audio book of Kiran Desai’s new novel, The Loneliness of Sonia and Sunny. It deserved all the praise it got. The incredible thick description, not being afraid to take up the page, and so perfectly capturing the best and worst of the two countries and cultures I know best: America and India. Highly recommend.

Green Fondo Berkshires 2026

  • Steve and I are joining Team Eco.Cyclers for a Climate Ride fundraiser. We’ll be riding fifty miles in two days (!) to raise money for positive climate solutions. I don’t take money for this Substack, but if you’d like to donate, you can do so here. No amount too small. Or large. 🚴🏼 🚴🏼 🚴🏼

Coda

To be in the woods of the Cumberland Plateau in Tennessee is to hear one of my favorite sounds, the song of the wood thrush. Did you know that, like many birds, the wood thrush uses an organ called the syrinx to produce sound, but the cool thing is that the syrinx has two independent sides, each controlled by its own set of muscles. They can produce two sounds simultaneously. Press play and close your eyes….

Filed Under: A Better World Is Possible, events, News, readings, teaching, travels Tagged With: A Better World Is Possible, book tour, climate change, events, InsideClimate News, readings, Sewanee, teaching

Climate talk in the coffee line

April 5, 2026 By meerasub Leave a Comment

I’m standing in line for an oatmilk latte at Audrey’s Coffee in South Kingston, Rhode Island. Stayed overnight after having a lovely talk with my friend and fellow author, Liz Rush at the Metcalf Spring Lecture. We’re both alums of the Metcalf Institute at University of Rhode Island, which brings together scientists and journalists, helps both learn from each other. If you’re a journalist, I highly recommend checking out their fellowship offerings. The room was full of students and faculty, including from a couple new programs: environmental education within the fold of the College of Education and an Environmental Arts & Humanities degree. (Can I go back to school, please?)

The coffee line’s not moving.

“It’s not usually this busy,” says the guy in front of me as we wait. I tell him it’s my first time here. He asks where I’m from. I tell him Cape Cod. Ask if he’s a local.

“I’m a squidder, but it’s not so good ‘cause of climate change…”

The first thing he says. I swear. (And I’m pretty sure he used the word “squidder”…is that right?)

“You do that at night, right?” I ask, and his face lights up with my tiny morsel of knowledge. I know this fact because of my Metcalf fellowship.

elaborate drawings of octopus and squid by Ernest Haeckel
‘Gamochonia,’ 1899, Adolf Giltsch after Ernest Haeckel © The Royal Society

He goes on to tell me his captain is seeing changes because of acidification, though he can’t elaborate. Admits it’s above his pay grade.

“It is my pay grade,” I say, laughing. “Climate journalist.” He laughs and we keep talking. He tells me about living in Narragansett. How it’s working class. But progressive. Surfers. Weed smokers. “No one voted for Trump,” he says. He can’t believe the new cluster of five million dollar houses that the new owners must have bought sight unseen, since they’re by the waste water plant and it stinks around there.

I ask him if he has to do other work since the squid’s not so great. Yeah, he says, his face boyish though he must be in his thirties. He’s started making fishing nets, but he misses being on the water.

The line moves forward. I learn his name is Joe and shake his hand before he picks up his coffee and leaves.

I tried to pursue a story about ocean acidification’s impact on shellfishing here in New England about eight years ago. Had a hard time finding scallopers or oysterfolks concerned about it, even as institutional reports warned of the impact.

So much has changed. Is changing. On the ground. In the water. I don’t know if squid are affected by ocean acidification. Maybe not, since it impacts shell production, making scallops and oysters much more at risk. But the fact that the warming climate is on the mind, and tongue, of a squidder from Narragansett named Joe, in line at a coffee shop, buoys me.

Here’s a bit more: “In New England, Climate Change Is Moving Fast. The Fishing Industry Is Not,’ co-authored by WBUR’s Barbara Moran, who I’ll be talking with….

A few upcoming events to share:

upcoming events
  • Monday, April 6 (tomorrow!): I’ll be joining graphic novelist Katy Doughty in conversation with WBUR’s Barbara Moran for Picture + Panel, Boston’s monthly graphic novel series. Katy’s new book is How to Survive the End of the World. RSVP and details here.
  • Wednesday, April 8: I’ll be joining hundreds of others at the MassEnergize Community Climate Leaders Annual Conference to explore story-telling with New Yorker cartoonist Tom Toro and how to support youth climate action with fellow MISI fellow Jaelyn Carr and others.
  • Tuesday, April 14: This feels like the biggest event of our book tour! Danica and I will both be at Greenlight Bookstore along with (at least!) two of the youth featured in A Better World Is Possible. RSVP and details here.

Other news about A Better World Is Possible: Global Youth Confront the Climate Crisis: hardcover copies have sold out and are heading for a second printing; featured in Book Riot’s spring roundup; conversation with ecoRI News; Q&A with Katy Doughty and me at Smash Pages; and Shelf Awareness featured our new official book trailer:

Journalists & writer friends, take note…

  • The Institute for Journalism & Natural Resources invites applications from early-career journalists for its 2026 Community Reporting Project fellowships. The three-day, expenses-paid, science and environment reporting workshop is produced by IJNR, the Uproot Project and partners and will take place May 27-30 and begin and end in Detroit, Michigan as they explore Great Lakes water quality and its intersections with public health and environmental justice. Deadline: Friday, April 26.

I’m reading/listening…

  • Anne Fadiman’s Ex Libris. S. and I read “Marrying Libraries” in bed one night. Something we still haven’t done. 🙂
  • This marvelous multimedia Guardian exploration of insect migration by Phoebe Weston, Ana Lucía González Paz, Prina Shah and Garry Blight.
  • In the in-betweens, I’m listening to The Loneliness of Sunny and Sonia by Kiran Desai. Don’t know where the story is leading but the descriptive powers of her writing are inspiring.
  • Joe at the coffee shop isn’t wrong. Nature covers a new study showing that climate change is speeding up, the rate of warming surging since 2015. These regular reports, along with the horror of wars upon humans and the environment within US borders and our great leaders carrying the decimation around the world, and I took a break to listen to…
  • …RadioLab’s Snail Sex Tape. I will be on the lookout for love darts this spring.

Coda…

Haven’t you always been curious about…

Filed Under: A Better World Is Possible, climate change, events, readings, travels Tagged With: book tour, climate change, events, ocean acidification, readings, Rhode Island, squid, USA

every day is turkey day

April 21, 2025 By meerasub Leave a Comment

Three turkeys with tails fanned out, viewed through a garden gate

The view from my garden. Credit: Meera Subramanian

I have reluctantly returned to the country of my birth, the place that has always inspired the greatest culture shock after long travels. How quickly I’ve stopped dreaming in Spanish, as the raucous sounds of English fill my mind. Foot travel and cheap trains are replaced by big trucks riding the ass of my Prius as I drive too far to get a dozen eggs that cost six times what they did in Spain. But there are good friends, and my beloved bookshelf, and the yard is teeming with turkeys and other signs of springtime life. Together, it is the antidote to the unraveling.

Between the work of catching up—pitching stories about renewable energy in Spain, preparing for a talk (more below), handling personal crises minor and major—I watch wild turkeys loitering about Cape Cod. Or, I guess, we’re the loiterers. They bear our presence. I could watch them all day. And do.

Woman sitting on deck watching turkeys in yard

Take the time to notice the wild things around us. Credit: Stephen Prothero

Tomorrow is Earth Day, something I find myself resisting—every day is earth day, damn it!—and it comes as years of scientific gains and movement towards climate goals are being bludgeoned, as human rights from clean air to due process are eroded. I gather with my fellow citizens on the rotary who hold signs mentioning kings and oligarchs tight lest they blow away in the fierce wind. My friend and I talk with Andrew, a supporter of 47, a proud participant of January 6th, his language and message perfectly honed in response to any question. “Anything you want to ask us?” I offer, but he shakes his head and responds with a sentence that drifts away in the wind, “No, I have trouble getting my thoughts together…” We’ve all learned how to talk in this age of pontification. Listening is another skill.

I gain more understanding by returning to Jeff’ Sharlet’s book The Undertow:

We say we are in crisis. The crisis of democracy—the gun—the crisis of climate—the fire, the water, the rain—the crises of our own little lives—debt and Twitter and rage, and most of all the ordinary losses of love and loved ones that feel too vast. But that word, crisis, supposes we can act. It supposes the outcome is yet to be determined. The binary yet to be toggled, a happy ending or a sad one, victory or defeat. As it we have not already entered the aftermath.

Will we save democracy or lose it? Will the earth boil, or will we all drive electric cars? Are the dead gone, or do they live in our hearts forever?

Such imaginations we have.

My imagination wanders, as I watch eight tom turkeys back home, spectacular tail feathers fanned in full display, wings hanging low as they shimmy, faces an explosion of blue and bright red, all glorious and grotesque. The dangling wattle known as a snood draping down over their beaks in the most impractical of ways.

Tom turkey in full display

Tom turkey in full display. Credit: Meera Subramanian

You may have heard the ole story, about Benjamin Franklin and his disappointment that the aggressive eagle had been chosen as our nation’s symbol. In 1784, he wrote in a letter to his daughter:

For my own part I wish the bald eagle had not been chosen as the representative of our country. He is a bird of bad moral character. He does not get his living honestly. You may have seen him perched on some dead tree, where, too lazy to fish for himself, he watches the labour of the fishing hawk; and when that diligent bird has at length taken a fish, and is bearing it to his nest for the support of his mate and young ones, the bald eagle pursues him, and takes it from him. . . . the turkey is in comparison a much more respectable bird, and withal a true original native of America.

I agree, even though my love of raptors is deep and slightly irrational. But even the morally bankrupt eagle only takes what she needs. Acknowledges the limits of necessity even as he steals from the osprey. But the turkeys do earn my respect as they did Benjamin’s, as they make their own way through the world. Mostly peaceful.

There’s been some fighting, too.

One male jammed his beak down the other’s throat and held it there for so long in a suffocating stalemate that I was thinking there might be a roast turkey for dinner. But one relented, and the other chased the loser away. It always seems to be the boys. The hens just want to eat in peace, and carry on with their task. I thank them for ridding our yard of ticks more than their sparring, strutting cohorts. But all play their part.

How quickly I’ve become accustomed to them. When a fox ran through the yard, they scattered, one even taking a lumbering flight to the treetops where they roost at night, (enormous black silhouettes against the skeletons of still bare oak branches and a gloaming sky draining of color). The daytime yard was empty for hours and a keening loneliness set in that only abated when I once again detected movement out of the corner of my eye.

When I went down to work in the garden to gather my thoughts, they scattered again, only to drift back up and surround me as I turned over the winter cover crop, preparing for what is to come, for another season to unfold. The work of a garden is endless. So is the work of democracy. Or for a habitable climate. I will be the first to admit it is exhausting.

Yet.

The turkeys carry on. And so do I. And so do you. Find our ways to fight and also know that we need to make time to ensure our own sustenance as well. Step away from the socials. Pick up the binoculars. Watch the natural world doing the work of living. The toms, the hens, together. They are all spectacular. These magnificently large creatures, living in our midst. Doing the work of replenishment. Eating. Courting. Creating more.

It wasn’t always like this. Native to North America, Meleagris gallopavo was domesticated by the Aztecs, who introduced them to invading Spaniards, who took them to Europe and then brought them back, while other conquerers nearly annihilated the wild ones. In the early 1800s, only about 30,000 remained, down from many millions. Today, there’s an estimated seven million in North America, in part because of the work of hunters and governments. Disappearance is one possibility. So is abundance.

No wonder I want to turn my attention to them. Especially as I prepare to share stories of disappearance and hopes of resurrection from South Asia about some other very large birds….

Talking vultures

For those in the Cambridge, Massachusetts area or who have access to a computer, I invite you to join me for a talk I’m giving this Friday evening for the Brookline Bird Club, taking place at Harvard’s Geological Lecture Hall. It’s titled South Asian Vultures: Crisis & Conservation. Here’s all the info and here’s a description:

Not too long ago, millions of vultures flew over South Asia, so abundant that no one had bothered to count them. Until the 1990s, when populations of three Gyps vultures collapsed by more than 97 per cent in a decade. It was the fastest avian decline ever recorded. Conservationists scrambled to find the cause and start captive breeding programs. What happens when South Asia’s essential clean-up crew vanishes? Cape Cod-based journalist and National Geographic Explorer Meera Subramanian has spent nearly twenty years searching for the answer to that question and discovered a story of conservation in a time of mass extinctions, a chronicle of biologists strategizing and cautiously celebrating. Join her as she shares photos and stories from covering the crisis in both India and Nepal, where the birds’ absence has had ecological, cultural and even religious implications.

Journalists & writer friends, take note…

  • The Council for the Advancement of Science Writing (CASW) is accepting entries for the fourth Sharon Begley Science Reporting Award, a career prize for a mid-career science journalist of “unflinching dedication, skill, moral clarity, and commitment to mentoring”. Prize includes a $20,000 grant. Deadline: April 30, 2025.
  • Orion Environmental Writers’ Workshop (June 15-20, 2025, The Omega Institute in Rhinebeck, New York) Join a community of writers, improve your craft, and reimagine how you think about nature. Guided by award-winning instructors, the Orion Environmental Writers’ Workshop provides an intimate space to connect with writers, artists, and editors, spark creativity, and renew, illuminate, and deepen your relationship with place. This week-long workshop is cosponsored by the Omega Center for Sustainable Living. Deadline: May 1, 2025.
  • FRONTIERS open call for application for early-career journalists Round three! This is the same fellowship I just finished up in Spain, but targeted for early-career journos. Deadline: May 6, 2025.
  • Covering Climate Now announced an updated training program, aimed at helping newsrooms grow their audiences by telling the climate story better. The program is available exclusively to journalists working for CCNow partners. For a list of the specific trainings they’re offering, free of charge and starting this spring, check out the Climate Journalism Training Catalog.

I’m reading/watching…

  • After the Deluge by Gary Greenberg in Harper’s, in which he explores some of the same possibilities I did in this piece I wrote for Orion a while ago, but from the close vantage of a small Connecticut town’s selectman responsible for trying to unite a divided populace in the aftermath of a tornado…and a flood. What climate change?
  • This consideration of life and death on a Washington farm, from my friend Christopher Solomon, in Orion.
  • I’ll keep reading Brendan Boyle’s Substack, La Comunidad, on life in Spain. On his post, What does Spain think of Donald Trump?, he captured what I experienced during my travels and conversations across the Iberian Peninsula.
  • I finished Carlos Ruiz Zafón’s Shadow of the Wind, which descended into darkness that feels like it’s getting closer to today’s America. But I’m holding onto this line, as I turn to new writing projects that still elude me: “Julián had once told me that a story is a letter the author writes to himself, to tell himself things that he would be unable to discover otherwise.”
  • I love this visual portrayal of land use made by National Geographic Explorer Dan Raven-Ellison, who traveled the length of Great Britain and captured drone footage of suburbia and bogs, fields and forests, seaside and soccer field, with each second representing a percentage of land use.
  • This morning’s post by Bill McKibben, on the death of Pope Francis, a religious leader who recognized that the real roots of the climate crisis reside in the power imbalance created by a “technocratic paradigm” and viewing the world through a reductionist lens.

Coda…

Years ago, I attended an event in Chennai, India, with Jane Goodall as part of her ceaseless work with Roots & Shoots. I went with my mom and dad, my mom’s hair long and grey and pulled back in a long ponytail that made her look like Jane. Last week, my musician friend Casey Neill saw Jane in Oregon, still ceaseless at 91 years old, and there she was as musician Dana Lyons sang this song for her. Dana’s new record is ‘Cracks in the Heartland,’ which Casey produced. Enjoy, friends.

Don’t stop, ever.

Filed Under: A River Runs Again, elemental india, events, just another day, photography, readings, Substack, travels

Beyond the Promise of Plastic

July 1, 2022 By meerasub Leave a Comment

What is the role of storytelling in altering the future of plastics? How might storying plastics differently help shift culture? Or invite change? Or directly address plastic pollution, drawing down the volume of short-term use plastics and the host of support chemistries that make them possible?

This event emerged from a series of four pieces on plastics that Orion published over 2020-2021. You can watch the webinar here, hosted by Beyond Plastics’ Judith Enck, but I encourage you to read all of the pieces in the series, too. Dr. Rebecca Altman, who is a sociologist working on a book about the socio-environmental legacy of plastics, served as the guest editor and it was a beautiful collaborative process to work with her and Orion editor Sumanth Prabhaker.

Rebecca’s piece, “Upriver,” reveals her journey of generations, of thinking you’re moving away from something when you’re really diving right into it. Because you can’t not. Because it’s everywhere. Orion, which is a gorgeous magazine that you really should subscribe to so you can enjoy the sumptuous art and layout as well as the words, features Ansel Adams photography you’ve never seen before with her piece.

“Hand in Glove” by David Ferrier, author of Footprints: In Search of Future Fossils, was written early in the pandemic and considers all those plastic gloves…and the last hand he held before lockdown, his grandmother’s.

Plastics geographer Dr. Max Liboiron‘s considers their role as a researcher in Newfoundland in the piece “Plastics in the Gut.” When does scientific standardization turn into a form of colonialism and how can researchers learn to think with locals as they gather information? Their book, Pollution is Colonialism, explores this more deeply.

And my piece was “The Nature of Plastics,” in which I explored the ecological, biological and geological impact of this material that is so new, and so transformative, and so ubiquitous that it is altering every facet of life on earth.

The Nature of Plastics

If you’re not already familiar with the organization Beyond Plastics, I encourage you to visit their website, sign up for their email list, or follow them on social media at Twitter, Facebook and Instagram.

Filed Under: Anthropocene, events, journalism, Orion, plastics, readings, video Tagged With: Amy Brady, Beyond Plastics, David Farrier, Judith Enck, plastics, Rebecca Altman

Letter to a Stranger

May 28, 2022 By meerasub Leave a Comment

Book cover of Letter to a StrangerIt began in 2013 as a question posed by Off Assignment: Who haunts you? It’s a brilliant premise (and excellent writing prompt): write a letter to someone, anyone, who has stayed with you. I wrote about a man I met in southern India, who spoke to me of dancing cobras.

The stories amassed and writer Colleen Kinder decided to collect them into an anthology. Letter to a Stranger: Essays to the Ones Who Haunt Us came out this spring from Algonquin. Pieces by Lauren Groff, Leslie Jamison, Pico Iyer, Lia Purpura, Lavinia Spalding (who led me to Off Assignment so long back!), Irina Reyn and so many others each tell a story that is short, precise and aching in some deeply human way.

Here are a few links to some of the goodness that emerged around publication:

What had brought you to Auroville? I came because I still sought utopia.

  • Publisher’s Weekly review
  • A nice mention in Shondaland.
  • A lengthy piece in the LA Times. 
  • Lithub featured an event at Greenlight Books on their Virtual Book Channel.
  • Featured on the Frommer’s podcast 
  • A few hot minutes on “What’s the Story” with Joy Lazendorfer
  • And the very last Letter to a Stranger event, hosted by the L.A. Times Book Club

And here’s a video of an event I did with Book Passage in San Francisco  with Colleen Kinder, Lavinia Spalding, Akemi Johnson, Faith Adiele, Emmanuel Iduma, and Anna Vodicka:

Filed Under: anthologies, events, readings

The New Nature of Plastic

February 8, 2021 By meerasub Leave a Comment

Join me for a talk at University of Arizona this Wednesday! I’ll be exploring plastics, boundaries, and monstrous ecologies and reading a bit from a forthcoming Orion piece.

Wednesday, February 10, 2021

7:00 pm MT (9:00 pm ET)

Zoom: https://arizona.zoom.us/my/joelajacobs

 

Filed Under: events, readings Tagged With: Arizona, cape cod, conservation, plastics, pollution environment, readings, water

Art and Urgency: Journalism in the Post-Truth Era

October 29, 2020 By meerasub Leave a Comment

<<SCROLL DOWN TO WATCH A REPLAY>>
It was such a pleasure talking about writing with this incredible group of people. Jeff has long served as a mentor to me, since I studied under him at NYU, and Paul is one of the best editors I know. Getting a chance to step inside Alex and Alexis’s minds to see how they think about their incredible stories was equally inspiring. Have a listen with the link below…
~Meera
MacDowell Journalism Panel Examines the Fragility of Facts and Urgency of Art in a Post-Truth Era. Virginia Quarterly Review Editor Paul Reyes will moderate a discussion with prominent journalists Alex Marzano-Lesnevich, Meera Subramanian, Alexis Okeowo, and Jeff Sharlet.A virtual panel discussion among five award-winning journalists titled “Art and Urgency: Journalism in the Post-Truth Era” took place here on October 26, 2020 at 7 p.m. It examined the importance of solid news reporting and why making art is more important today than ever. The discussion, led by Virginia Quarterly Review Editor and MacDowell board member Paul Reyes, looked into the fragile position of news media at a time when a growing portion of the populace gets its news from suspect sources.“In a media landscape where facts are pliable, where the news has become a hall of mirrors,” said Reyes, “it’s important to appreciate how literary and narrative journalism—which are at the heart of what MacDowell supports—are able to cut through the noise in order to carve out the truth, offering a visceral clarity to the reading public.”Reyes was joined by The Fact of a Body author Alex Marzano-Lesnevich; journalist Meera Subramanian, whose book A River Runs Again: India’s Natural World in Crisis from the Barren Cliffs of Rajasthan to the Farmlands of Karnataka, was a finalist for the Orion Book Award; PEN Open Book Award-winner and writer for The New Yorker and The New York Times Magazine Alexis Okeowo; and bestseller and Virginia Quarterly Review Editor at Large Jeff Sharlet whose latest book This Brilliant Darkness: A Book of Strangers, is a deep, genre-bending immersion into the lives of everyday citizens.

This was an evening of incisive conversation with MacDowell Fellows who work in investigative and long-form narrative journalism. In this era of the 30-second soundbite and relative truth, in-depth reporting and groundbreaking nonfiction writing are more important than ever.

MacDowell has been supporting journalists for decades, and believes a new model of assistance is needed for journalists who dedicate their lives to telling complex stories that have the power to change our lives and make our society better. The Art of Journalism Initiative at MacDowell is one way we support groundbreaking voices in non-fiction—like those of James Baldwin, Shane Bauer, Ta-Nehisi Coates, Frances FitzGerald, Sheri Fink, William Finnegan, Adrian Nicole Leblanc, and others.

With The Art of Journalism initiative, we are investing $2 million in Fellowships for journalists and long-form non-fiction authors, as well as providing journalism project grants, while helping to link a new network of publishers, non-profit newsrooms, and other key players in the journalism community to MacDowell’s artist community. Get the scoop here .

Watch the video here: Art & Urgency Video

Filed Under: events, InsideClimate News, journalism, readings, video Tagged With: craft, journalism, MacDowell, memoir, truth, VQR

(Cancelled) New Imaginings: Storytelling, Science & Activism

February 22, 2020 By meerasub Leave a Comment

Imagery: Jules Bartl/BBC World Service

*Due to the coronavirus/COVID-19 crisis, this event has been cancelled*

During my time at Princeton University, I have the pleasure of organizing an event, and I decided to shape it around the powerful novel The Overstory. If you’re in the Princeton area on March 26, please join me. And thanks to Jules Bartl and the BBC for letting us use this exquisite image for the event (check out the short animated film!).

More event info here.

Award-winning environmental journalist Meera Subramanian will host the discussion “New Imaginings: Storytelling, Science and Activism” featuring Pulitzer Prize-winning novelist Richard Powers, author of The Overstory; Robin Wall Kimmerer, SUNY professor of environmental biology and author of Braiding Sweetgrass; and forest activist Timothy Ingalsbee, executive director of Firefighters United for Safety, Ethics and Ecology.

Subramanian, the 2019-20 PEI Barron Visiting Professor in the Environment and the Humanities, will lead a conversation exploring how the work of scientists, artists and activists come together to inspire fundamental shifts in perspective. From the underground networks that feed forests to how human activity impacts the upper atmosphere, our understanding of how the world works shapes our minds, the stories we tell, and the way we act.

This event is free and open to the public. Books will be available for purchase from Labyrinth Books.

Thu, Mar 26, 2020
4:30 PM
 – 7:00 PM
Princeton University, McCosh Hall, Room 10

 

Related show

  • Author: Meera Subramanian
  • Tour: Teaching/Workshops
  • Date: March 26, 2020
  • Time: 4:30pm
  • Venue: Princeton University: McCosh Hall
  • City: Princeton , NJ
  • Address: McCosh Hall, Room 10
  • Country: United States
  • Cancelled
  • More information
  • Notes: Award-winning environmental journalist Meera Subramanian will host the discussion “New Imaginings: Storytelling, Science and Activism” featuring Pulitzer Prize-winning novelist Richard Powers, author of The Overstory; Robin Wall Kimmerer, SUNY professor of environmental biology and author of Braiding Sweetgrass; and forest activist Timothy Ingalsbee, executive director of Firefighters United for Safety, Ethics and Ecology. Subramanian, the 2019-20 PEI Barron Visiting Professor in the Environment and the Humanities, will lead a conversation exploring how the work of scientists, artists and activists come together to inspire fundamental shifts in perspective. From the underground networks that feed forests to how human activity impacts the upper atmosphere, our understanding of how the world works shapes our minds, the stories we tell, and the way we act.

Filed Under: climate change, events, News, readings, teaching Tagged With: climate change, ecology, event, forest, Princeton University, Richard Powers, Robin Wall Kimmerer, Tim Ingalsbee

Sewanee School of Letters reading & conversation

June 10, 2019 By meerasub Leave a Comment

It’s good to be back on the Mountain. Another round of teaching Creative Nonfiction at Sewanee School of Letters, up here on the Cumberland Plateau. If you find yourself nearby, I invite you to  join me for an event this week. I’ll be reading and then having a conversation with School of Letters Interim Director John Gatta. Here are the details:

June 12
4:30 pm
Gailor Auditorium
735 University Ave., Sewanee, TN
Reception following in Gailor Atrium.
Co-sponsored with the Friends of duPont Library

More info here.

Filed Under: events, readings Tagged With: event, reading, School of Letters, Sewanee, Tennessee

Women’s Health & The Environment: Going Up In Smoke

April 11, 2017 By meerasub Leave a Comment

Tomorrow I’ll be heading to the heartland for University of Iowa’s Global Forum to talk cookstoves. With people from a variety of backgrounds — anthropology, engineering, economics, gender studies, journalism, non-profits and more — we’ll discuss the troubling persistence of harm from biomass cookstoves used by three billion people around the world. This multidisciplinary approach seems like a good step away from thinking about this as a purely an engineering problem, or an economic problem, or a development problem. It’s all those things and a whole lot of other messy humanness. It’s what I explored in my book, A River Runs Again and this piece for Nature. The event is free and open to the public.

Filed Under: A River Runs Again, News, readings, travels Tagged With: cookstove, events, fire, health, Iowa, women

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