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Sangin, Afghanistan: Portraits of a Marine Squad, by Elliott Woods

Sangin, Afghanistan: Portraits of a Marine Squad, by Elliott Woods

 

Rain fell on the flags that lined glistening Route 6A on Cape Cod yesterday. I went to no parades, thanked no one for their service. Because I’m like most of the Americans veteran and journalist Elliott Woods describes in his TEDx talk, “Ever After: Finding Fulfillment in the Aftermath of War,” a title that doesn’t even begin to capture the power of his message. Only one in 75 Americans have any direct connection to the conflicts that have been unfolding for a generation in the Middle East. Even that number is probably wildly conservative. Elliott served. He returned home. And he became a journalist to return overseas again and again to document the lives of soldiers and the people who live in the countries where the wars play out, far far from the glistening roads of Cape Cod, or Kansas, or California. [Read more…]

“a heritage takes wing” wins best feature story

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Saed Ateq Al Mansori, Falconry Festival, UAE

About a year ago this time, I was in the UAE covering a story about falconry receiving a UNESCO Intangible Cultural Heritage designation. The story, “A Heritage Takes Wing,” was published by Saudi Aramco World magazine, and I recently found out it received an award. My editor sent along this dispatch:

The March/April 2012 Saudi Aramco World cover story on falconry, “A Heritage Takes Wing,” was named Best Feature Article in the Association/Custom/B-to-B magazine division at this year’s annual national magazine contest sponsored by Folio in New York.

Here’s their announcement. While Saudi Aramco World is officially a trade magazine, it reads more like the Smithsonian of the Middle East, with smart, well-reported stories about culture, food, travel, history and the like. And it’s free. Yup. You should most certainly check it out.

a heritage takes wing

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Just out, my cover story in Saudi Aramco World magazine.

Some stories have no beginnings. But sitting around a fire in a spacious landscape with radiant stars overhead, next to a man with a gyrfalcon on his fist, I get a sense of a beginning. The bird is exquisite, otherworldly, glowing in the light of the fire. When I am offered the chance to hold it, I do not say no. We slip the thickly padded, finely embroidered cuff from his hand to mine. I stroke the bird’s feathers with the backs of my fingers. Its weight is, somehow, just right: light enough not to be a burden, heavy enough to convey the substance of what rests on my wrist.

I am in the desert of the Ramah Wildlife Refuge outside Al Ain in the United Arab Emirates, close to the border of Oman. In the darkness of the dunes are foxes and owls and, if the conservation efforts are working, hares and houbara bustards. It is the first day of the International Falconry Festival, a gathering that will bring hundreds of people from dozens of nations to this sandy spot to celebrate the world’s growing recognition of their artful sport—indeed, their obsession.

Late in 2010, at a meeting in Nairobi, UNESCO announced that it would inscribe falconry onto the Representative List of Intangible Cultural Heritage (ICH). The room, filled with expectant falconers, broke out in cheers so long and loud that a recess had to be called. Abu Dhabi had spearheaded the effort that led to this announcement, submitting the application on behalf of 11 other disparate nations: the United Arab Emirates, Qatar, Saudi Arabia, Syria, Morocco, Belgium, France, Spain, the Czech Republic, Mongolia and Korea. It was the largest and most internationally diverse application UNESCO ICH had ever received.

Read the rest here… 

inglorious bustards

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Only Bidoun could come up with this awesome title. Only Bidoun would relish the story of a state-of-the-art hospital in Abu Dhabi—that only caters to falcons and other birds of prey. Here’s an excerpt from my piece, just out in their spring issue on the theme, Sports:

In 1999 Sheikh Zayed bin Sultan Al Nahyan, founder and first president of the United Arab Emirates and a devoted falconer, banned all forms of hunting in his country. Exterminators need special permits to kill even rats. In spite of Emirati falconers’ massive campaign to add falconry to UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity, it is almost completely illegal to use falcons to hunt in the UAE.

The ban was imperative. The object of falconry was extra intangible. The only hope that hunting might ever again be practiced in the Gulf would be to ease up for a time, perhaps decades, and let the hammered hare and houbara bustard populations recover. Abu Dhabi, meanwhile, is trying to jumpstart the project with an international Houbara breeding program. Much to-do attends even small events marking forward progress, as when Sheikh Hamdan bin Zayed Al Nahyan, Ruler’s Representative in the Western Region and Chairman of the Environment Agency-Abu Dhabi, released seventy bustards into the desert last year.

One might ask, then, how an Arab might partake in his cultural heritage? For decades now, the answer has been: he migrates. Some head for North Africa, where a handful of countries still allow falcon hunting. But mostly, those who can afford it — primarily sheikhs and their entourages — go to Yak Much, in western Pakistan.

An alternative title name for the article? “Slouching to Yak Much”

Read the whole piece here.