Meera Subramanian
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happy book birthday!

March 3, 2026 By meerasub Leave a Comment

Woohoo! A Better World Is Possible: Global Youth Confront the Climate Crisis, my new graphic novel made in collaboration with Danica Novgorodoff, is OUT TODAY!

I hope you’ll order your copy of the book and/or come to one of our book release events:

TONIGHT! March 3, 2026: Titcomb’s Bookshop & Sturgis Library
5:30 pm ET | 3090 Main Street, Barnstable, MA
with Meera

March 5, 2026: Carmichael’s Bookstore
7:00 pm ET | 2720 Frankfort Avenue, Louisville, KY
Danica in conversation with Festival of Faiths Program Manager
Sally Evans & climate journalist Lyndsey Gilpin

April 2, 2026: All Peoples Unitarian Universalist Congregation
7:00 pm ET | 4936 Brownsboro Rd, Louisville, KY
Danica at All Peoples Justice Center book event on religion & climate change

April 2, 2026: University of Rhode Island Metcalf Institute
Reception at 5:30 pm ET, followed by conversation at 6:00 pm | Hope Room, URI Welcome Center, Kingston, RI
Meera in conversation with author Elizabeth Rush

April 8, 2026: MassEnergize Community Climate Leaders Annual Conference
8:00 am – 5:00 pm ET | Bentley University, 175 Forest Street, Waltham, MA
with Meera

April 14, 2026: Greenlight Bookstore
7:30 pm ET | 686 Fulton Street, Brooklyn, NY
Danica & Meera and special guests, Jamie Margolin & Shiv Soin, youth climate activists featured in book

April 18, 2026: Society of Environmental Journalists Conference
3:15 pm CT | 725 W Roosevelt Rd, Chicago, IL
Meera part of author program along with Joseph Lee & others.

See the full list of events here

(SLIGHT) SPOILER ALERT: this book ends with a view of the Grand Canyon, and the idea that while we are each as small as individual raindrops, we can come together in community to form a river—a movement, the climate movement—with immense power and agency.

Here were my first scribblings as that scene came together in my head…

Both Danica and I have made it to the Grand Canyon since we crafted that scene. To enter such deep geologic time, literally descending through millions of years of rock and earth, is to gain perspective.

Like Danica experienced, too, I was in such awe of the landscape and felt so much renewed passion to protect the natural world, which is the only world we have. School Library Journal’s review of A Better World states:

“This title not only answers the question, ‘how can I help?’ but also offers readers a glimmer of hope… This brilliantly ­illustrated ­graphic novel explores the actual crisis, as research shows, the world is facing—climate change.

By ­allowing readers to see the interconnectedness of the issues and how typical teenagers took small actions to build community and organize advocacy events on behalf of protecting our world, it is easy to understand the following quote: ‘Every single action is a raindrop. They flow together, becoming a force unstoppable as that of ­gravity. Remember that water has the power to cut through rock.’

This would be a powerful addition to any ­collection.”

I hope you will join us—in the movement, at a book event, in standing against inaction and despair, in building hope.

“Another world is not only possible, she is on her way. On a quiet day, I can hear her breathing.” —Arundhati Roy

Thank you to the everyone who helped breathe this book into life. The four powerful youth who shared their stories with us (Xiye Bastida, Jamie Margolin, Rebeca Sabnam & Shiv Soin). The whole team at First Second Books (Robyn Chapman, Benjamin A. Wilgus, Michael Moccio, Sunny Lee, Mark Siegel, Morgan Rath, & so many others). Fact-checkers (Amy Westervelt, Susan Joy Hassol, Lucy Prothero, & Rose Andreatta). And Stephen Prothero, who was there every step of the way. And finally to the readers, past, present and future. Everything is possible.

Love,
Meera

Coda….

Also, I saw the lunar eclipse this morning, bundled up in 18-degree weather, a warm coffee my husband fixed for me in my hand and his body behind me to keep me warm as we watched the nearly full moon vanish, our earth’s shadow cast across the only true earth satellite. There are dark forces at play in the world. Seek out the light and people to nurture it with. Onwards, friends.

Filed Under: A Better World Is Possible, climate change, events, journalism, News Tagged With: A Better World Is Possible, book tour, books, cape cod, climate change, journalism, luna eclipse

The Future is Fungi

June 2, 2025 By meerasub Leave a Comment

dreamy dual image of mushrooms and forest after fire
Art by iStock and Orion designer Ella Frances Sanders.

“Let’s talk about mushrooms. That’s a really good story. I love the mushroom story.”

That was Margaret Atwood’s response to Ezra Klein when he asked her about what what is not being discussed, but should be. Something fundamental. (Go to 1:03:30 here to listen.) I suspect he was expecting a response a little more on-the-nose about authoritarianism, but Margaret’s right. Mushrooms utterly break down hierarchies, and categorization, along with biomass. Spend any time considering the mushroom and you will have your mind blown, no ingestion necessary.

The latest issue of Orion magazine is all about fungi. It includes pieces from some of my favorite writers: Maria Popova, Erica Berry, Eula Biss, and Lia Purpura. There’s a conversation between Merlin Sheldrake, Jeff VanderMeer, Kaitlin Smith and Corey Pressman. And so much more! I encourage you to subscribe to Orion if you don’t already. It’s a beautiful, nonprofit, ad-free magazine about nature and culture that, in print, is an absolute pleasure to hold.

I had the honor of writing a piece, too. The Food & Environment Reporting Network helped fund the story “Out of the Ashes,” (thank you!), which considers the future of fungi (and us) in a warming world. I was drawn to the stories of Christian Schwarz and Ron Hamill, of their encounters with fungi and fire, of discovering newly named “exuberant cindercaps” but also watching mushroom flushes that felt like last hurrahs. Their stories make up the piece. But, honestly, one of the hardest parts about reporting is that so much never makes it into the story, but still informs me in so many ways. People are so generous with their time, with their experiences, their knowledge. Pages of notebooks filled. Tape running. And then it sits in my files forevermore. Please go read the final story, but I thought I’d use this space to share some of the outtakes:

 

 

hand holding mushroom
Photo by Meera Subramanian.

Return to Oregon

I was able to get back out to my old stomping grounds in Oregon at peak mushroom season to do reporting. Or, rather, what should have been peak mushroom season. It’s late October but it’s dry. Too dry. I took a mushroom identification class back in 1996 or so with Joe Spivack, and he proved a generous guide for this story. I stay with him and his wife, who are both good friends of mine. They have a weather station perched on their deck, the monitor affixed to their kitchen cabinets. The rain what was supposed to come that week registered a pathetic tenth of an inch.

We slip in a mushroom hunt on our way to the coast for the Yachats Mushroom Festival on the coast, bumping two miles up a logging road into the Cummins Creek Wilderness. The air of the forest is intoxicating. Cathy points out European buttercup, an invasive, that covers the ground, but also elderberry, sorrel, nettle. Names of plants I once knew come back to me. Western hemlock. Spruce. A few Douglas firs. Many of these species have close associations with mushrooms. We find a boletus, a false chanterelle, a short-stemmed russula, clavilina corral mushroom, Inocybe, a pile of Suilus, and Agaricus subrutilescens, which is good eating, the first find worth saving after twenty minutes of mushroom hunting. But Joe sees what’s not there. The mushrooms that are missing.

Finally we work our way up a steep hill to get off the trail and deeper into the forest, and almost immediately, Cathy finds chanterelles buried beneath sword ferns so immense they wrap our waists and disappear our legs. We lean down. We look. We ready our knives. Joe explains they’re slow-growing, and probably came up with the rains that were “normal and good” in September. We eventually get a few pounds among us, cleaning them off as we put them in our baskets and bags. “We should find like 60 species up here. We’ve found—what?—maybe nine, ten?” he yells to the trees as much as to me and Cathy. “This place is fungally devoid!” which makes me smile, even though there’s a pit in my stomach when you see these indicators of a changing ecosystem.

We leave with our small haul, winding the rest of the way on 101 into Yachats, crossing the Yachats River where bald eagles soar and seals frolic in the waves that pound the beach.

people climbing up steep sand dune
Climbing steep dunes as the day heats up. Photo by Meera Subramanian.

We never stop moving

It’s 9:15 in the morning and there’s still a chill in the air when Joe and I pull up into a parking lot at the Oregon Dunes Natural Resource Area. We’re met by Frankie, a black dachshund-pit bull mix whose human is forager and chef Joseph Crawford. I’m tagging along with him, Trent and Kristen Blizzard of Modern Forager, and their friend Jeem, everyone loaded up with gathering baskets, bags, knives, paintbrushes, and walkie-talkies. Water and sandwiches are already stashed in backpacks and the Gaia app set into motion. We walk across the parking lot, into the sand towards the edge of the shore pines—about 90 seconds of movement—before Trent cries out, “Matsi!”

For the next six hours straight we move, sometimes together, sometimes spread out, always within a holler of each other, or a two-note whoop that Kristen has for her husband, or resorting to the walkie-talkies when the distance gets too far. When it’s time to eat, Joseph pulls a sandwich out and takes a bite…and continues to move. There are logs to sit on. We do not sit on them. Instead it’s burritos al camino and sips of water sucked from Camelbaks.

We pass through a forest, spy bear prints that look quite fresh, cross a highway of sand dodging ATVs that appear suddenly. The dunes curve, the forest changes, from shore pines to pokey spruce forests that look like a fairyland of green amid a desert. Each ecosystem a world unto itself. There we—meaning the pros—find King boletes, Boletus edulis. We duck under the boughs of spruce, step through salal and kinickkinnick with bright red berries. The ground is spongy underfoot. We want to lie on it, sleep on it. I want to lie on it, sleep on it. But no, we keep moving! Trent is off ahead, nearly out of range, and Kristen checks in on him on channel 2 every once in a while. He sees a what we learn later is a ruffed grouse that seems to be following him. I think it’s my spirit animal, he says over the walkie talkie. The bird comes to me and Kristen. Keeps following our group, in spite of Frankie chasing it, causing it to fly into the low branches of spruce. Joseph is in awe. Tells me later, if I was alone, I would have stayed for an hour with it, meditated with it. He is wonderstruck. We all are.

Kristen Blizzard of Modern Forager finding Boletus edulis. Photo by Meera Subramanian.

In one rare moment, our group of six stops moving, Joseph and I grazing on an evergreen huckleberry bush festooned with dark purple berries that pop in our mouths. We talk about what is known about fungi. Frankie is grazing on the lower branches, lapping off the berries with his tongue.

“The black trumpets that grow here in Willamette Valley show up in random-ass places,” Joseph says. He is less interested in what we know and wants to revel in the mystery. “I’m trying to say we have no fucking idea why something grows there… There’s something super complicated and super confusing about fungi.” And that’s the beauty.

Joseph Crawford holding massive matsutake mushroom
Joseph Crawford holding massive Boletus edulis. Photo by Meera Subramanian.

Hours into our journey, I learn to see. It brings me to my knees, which sink into the sand. I reach for my knife. I cannot see the matsutake mushroom, but I know it is there. The dark asparagus-like stalk of a late-stage candystick/candy cane/sugarstick, Allotropa virgata, is a giveaway, since the parasite cannot live unless it thieves carbon from the green plants, those sun drinkers, around it, using the hidden underground threads of matsutake mycelium as the energy conduit.

A foot away from the candy cane is a hump pushing up the duff of the forest floor an earthly eruption. This is puhpowee, visible. I dig the point of the knife down around the stem as far as I can, as I’ve watched the experienced mushroom hunters I’ve been with for hours do repeatedly. I unearth a perfect 8” mushroom. My companions, whose bags are already laden with matsutakes and boletes, share the joy. I have found my fungi lens in these coastal Oregon dune forests.

Jeem hands me the cheap paintbrush we’re using to brush the sand off the bulbous base of the stalk, revealing creamy white. Before tucking it into my sack, I bring it to my nose to breathe its singular smell, piquant and woody, and that evening, I breathe in the scent again when I slice the firm flesh into thin slices and drop them into ramen broth. I take it into my body. The satisfaction of finding one’s food, plucking it alive from the earth. When I ask Kristen, “Why mushrooms?” she tells me it’s all about the community. She can open a bottle of preserved mushrooms and memories flood back of the day they were picked, the friends she was with. “So much of the terroir, that you recall with that smell.”

“I mean ‘looking’ not just in the sense of ‘seeing’ but also ‘looking for,’ to seek without the certainty of finding,” wrote Maria Pinto. “It is a kind of humble attention to the world, using all your senses to open yourself to life and the land.”

pine cone with mushroom being passed to a child
Photo by Meera Subramanian.

Mycologists, next gen.

Susie Holmes has been teaching biology at Lane Community College for 16 years, including mycology. Every year, she takes her students out to the forest that cradles the campus in south Eugene. “It’s a wonderful stand of oak and conifer,” she told me as we sat on strawbales at the Mt. Pisgah Arboretum the day before its mushroom festival. “So a nice set of ectomycorrhizal hosts.” She sends the student out to specific areas to document every single species of mushroom they can find. What is the species richness? Observe everything. Count how many individuals there are, the species abundance. Pay close attention. (This is why I love scientists. And poets. They spend their lives mastering the art of paying attention.) What happens when the adjacent stand is clearcut? The next year, the mushrooms were silent. She showed me a spreadsheet “We identified 397 distinct taxa over 15 years. 334 species.” Abundance. Richness. She teaches at college, but also volunteered at both mushroom festivals I attended. Sparking the next generation, and the one after that, with knowledge.

Susie Holmes handing mushroom to children
Susie Holmes at Yachats Mushroom Festival walk. Photo by Meera Subramanian.

“We’ll find out.”

By the end of my reporting, I realize I am thinking more about how fungi are changing in a time of climate crisis, which is the direction the story eventually went. Also at the Mt. Pisgah mushroom festival, I sat down with Noah Siegel, who just published a field guide, Mushrooms of Cascadia, with Christian Schwarz, who leads my story. Noah calls himself @mycohobo on Insta, spends months on the road following fungi. He can identify just about anything, and he’s seeing changes. Go into the southern Sierra Nevadas in California, he tells me, and you’ll see it. A third of the trees, dead from the last drought. Over the last handful of years, he’s seen the treeline literally going up in elevation.

“On the north coast of California, southern coast of Oregon, you can really notice the stress in the Sitka spruce,” he says. Summers have 35% less fog than they used to. And the trees need cold, wet summers. Without it, needles tumble off. Trees die back. “It wouldn’t surprise me if that tree disappears from California in the next 50 or 75 years.”

As for mushrooms in those conditions, “You just don’t find anything,” he says, too dry and then, all too quickly, too cold. “I mean, that’s happened a lot lately.”

“How long can that happen before the system…?” my question drifts off.

“…Collapses?” Noah fills the space. “We’ll find out.”

But, he’s not too dire. “You know, all these things have survived far worse droughts than what we’ve experienced lately. And they’ve also survived through ice ages. I mean, they’re resilient. It just may be different from what we’re used to.”

You need a wild forest

I meet Molly Widmer a week before she is to retire from her life of work as a BLM botanist. Her fair skin is brushed with freckles and her body can barely contain the energy of someone, it seems to me, who should be entering the work force, not leaving it. She tells me she likes to remind obsessive mushroomers of the ecosystems that are needed to provide for the delights they gather.

“Do you like chanterelles, boletes, matsutake, russulas?” she asks them. “You cannot have them without a wild forest.”

Yes, you can cultivate some mushrooms, but the vast majority need conditions we can barely understand. A certain plant, this much rain, that much cold.

“Mushrooming,” she says, “lends humility. There they are! There they aren’t! When will they be back? We have no idea.” No fucking idea.

Here’s to humility, and all the wild forests and rank places that bring us the bounty we need to survive and delight in the world.

Check out the full issue of Orion about fungi here: https://orionmagazine.org/issue/summer-2025/. Get a subscription! Follow me here.

Journalists & writer friends, take note…

  • The Institute for Journalism & Natural Resources, in partnership with the Uproot Project, is offering Reporting on the Urban Environment, an expenses-paid workshop for journalists of color. Deadline: June 6
  • Grants of $5,000 to $10,000 available to support significant reporting efforts that lead to the publication of content connected to the Colorado River Basin from the Water Desk, based at the University of Colorado Boulder. Open to journalists (freelance and staff) and media outlets. Deadline: June 16

And from the Department of Good News…

  • Scientists at the Alhambra, the thirteenth century Moorish palace, in southern Spain, are ensuring that the grounds preserve biodiversity along with human history, reintroducing lost species and managing to create habitat. Newt sex!

I’m reading/listening…

  • …to so much goodness!
  • Martha Park, who was one of our Religion & Environment Story Project fellows, has published her first book, World Without End: Essays on Apocalypse and After. A beautiful inquiry into motherhood, faith, and how to live in the world, written through memoir and reported essays. We had a lovely conversation about it that will be published soon.
  • Listen (or read) Annabel Howard’s piece Thirty Years in Emergence. I enjoyed listening to her read it in her lush voice.
  • Spy on Devon Frederickson’s life in Norway via Instagram as she works on her new book about the community of people who coexist with common eider ducks.
  • Corey Farrenkopf was the librarian at my local library until he shifted farther out on the Cape. He’s been a dogged writer, and and his new collection of short stories, Haunted Ecologies, brings together eco themes and horror, a genre I haven’t read since I binged on Stephen King as a teen. Really, these days, they’re not so far apart. He also has a novel. Go, Corey!
  • Just finished Via Negativa by Daniel Hornsby, whom I’ll have the pleasure of teaching with in Sewanee School of Letters this summer. It’s about a priest on the run, moving both away from and towards something as he tries to find some sort of peace, an injured coyote as companion. Full of thoughtful luminous lines like, “I felt that a blanket of darkness had been pulled over things. Or a blanket of false light had been stripped away….”
  • I’m calibrating my consumption of news, and appreciating Trump’s environmental policies quantified by Jeff Tollefson in Nature.
  • Climate Note, a new report from the great researchers at the Yale Program on Climate Change Communication shows that “ a majority of registered voters want federal agencies to increase their efforts to protect people from the health harms of global warming.”
  • And then check out the women making their dream maps in India, showing how they envision restoration of once communal lands.

Coda…

I am still highly distracted by the turkeys that are in the yard continuously. More pulling down books on birds from my bookshelves. More realizations. We live in a lek! An exploded lek! (Not so different than the sage grouse ones that draw tourists from far-flung places out west.) Most of the females have disappeared, presumably to sit on nests, and it’s primarily down to three males vying for the affection of a single female. One fellow is in the lead. There’s been some more fighting among two of the boys (the third hovered longingly, “Doesn’t any one wanna fight me?”), but mostly strutting. So. Much. Strutting. If I were a filmmaker, I’d direct a scene where a woman is quietly eating her dinner with focus while three men flex their muscles and pump their chests behind her. And she pays them no attention at all. But she’ll make her choice, eventually. She seemed close yesterday, letting the lead circle around her like a planet around a sun. And this morning the yard is quiet. Except for the brood of hairy woodpeckers chittering and chirping from the hole in the tree visible from my desk. Heading to Sewanee, Tennessee to teach in a few days. Hoping for woodpecker fledging to witness before I depart, and that the turkeys don’t move in with S. in my absence. They’re getting very very comfortable…

 

two turkeys perched on a deck railing

Filed Under: climate change, journalism, Orion, photography, Substack, travels, Uncategorized Tagged With: climate change, climate crisis, fungi, matsutake, mushrooms, Oregon, Orion

Step by Step

January 20, 2025 By meerasub Leave a Comment

reflections of buildings and a staircase that descends into the River Nervión in Bilbao, Spain
stairs descend into the Río Nervión, Bilbao, Spain

{latest Substack…}

I’ve crossed a border into Spain, and we’re all crossing tipping-point thresholds, too many to count. We’ve passed into 2025, already a quarter into this no-longer-new century of this still-quite-young millennium, and it took mere weeks before wildfires were consuming entire communities in southern California and floods making people flee their homes in Malaysia. Tomorrow, we pass into a new American administration that will make these stories even more frequent as we catapult into a future that feels all too tenuous. Still, still, I repeat like a mantra, it’s not too late, it’s not too late. See Katharine Hayhoe’s great recap of 2024 with lots of good actionable information to carry with you into the new year. She also offered a reminder that although we did indeed pass an entire year having crossed the threshold into a world 1.5 degrees Celsius warmer than pre-industrial times, we’re still not there in terms of the ten-year average that will mark our true failure to reach the goals set at the Paris Climate Accords. If thinking about the future feels daunting, I get it. Britt Wray has changed her Substack’s name from Gen Dread to Unthinkable, also the name of a new climate-mental health platform that has a host of resources for taking care of yourself. Check them out and repeat after me, it’s not too late, it’s not late…

[Read more…]

Filed Under: climate change, peregrinations, Substack Tagged With: Basque Center for Climate Change, BC3, Bilbao, biodiversity, climate change, FRONTIERS, renewable energy

Writing this Warming World

June 26, 2024 By meerasub Leave a Comment

**Join me and four brilliant writers this fall! Registration open now! **

From climate change to climate catastrophe to existential crisis, the vocabulary of our changing planet is quickly escalating in urgency. Writers are responding. Whether you are just finding your way into this space or have been writing about the natural world for years, this class is designed to help you find the right words to meet this moment of metamorphosis. How do we bring the personal and planetary together? How do we render beauty in a world aflame? In what ways is the state of the planet changing the shape of our lives? As chroniclers of the natural world under transformation, how does our ink find the fine line between hope and despair, or should it?

Led by author and journalist Meera Subramanian, this four-week course explores writing the twinned experience of climate grief and fierce love for the planet. Conversations with guest authors Emily Raboteau, Elizabeth Rush, J. Drew Lanham, and Helen Macdonald will shed light on the unique challenges that nature writers and climate journalists face. Learn how these five exemplary writers who cross genres in the climate space today are navigating common conundrums.

We’ll look closely at the work of our guest authors to deepen our understanding of best practices in portraying the physical world as it changes. We’ll analyze craft but also make space for thornier issues such as political realities and flagging morale. We’ll discuss the use of braided essays and other structural devices that are especially useful to storytellers and journalists in this niche, and get practical about how to deepen narratives with research and reporting.

Students will get weekly writing prompts and assignments to catalyze their climate writing, giving you the tools you need to work towards a solid draft essay by the end of the course. Although we will not be workshopping, there will be ample opportunities to ask questions and share struggles and insights. Participants will also receive a suggested reading list to serve as inspiration beyond the last class, as well as a list of outlets that publish climate-related writing or that are especially interested in stories with a strong element of place or nature.

REGISTER HERE

*

This course will take place on Zoom on Sundays, November 3-24 from 12 to 2 p.m. EST. Participants will receive a Zoom link prior to the course as well as a recording of the course afterwards. We cannot offer refunds once the course has begun. Please email [email protected] with any questions.

A limited number of scholarships may be available for this course; please send a brief statement outlining how and why a scholarship would impact your ability to attend to [email protected] by October 14 and we’ll get back to you by October 21.

*

Off Assignment’s Masters’ Series courses are unique four-session courses on in-depth writing topics that harness the perspectives and craft tactics of a lead instructor plus celebrated guest lecturers, such that participating writers gain a wealth of input while benefiting from the cohesive leadership of one renowned writer in a particular niche of nonfiction.

Related show

  • Author: Meera Subramanian
  • Tour: Teaching/Workshops
  • Date: November 3, 2024 - November 24, 2024
  • Time: 12:00pm
  • Venue: Online
  • City: Everywhere
  • Country: United States
  • Admission: $400 USD
  • More information
  • Notes: WRITING THIS WARMING WORLD. From climate change to climate catastrophe to existential crisis, the vocabulary of our changing planet is quickly escalating in urgency. Writers are responding. Join journalist Meera Subramanian for this four-week course that explores writing the twinned experience of climate grief and fierce love for the planet. Conversations with guest authors Emily Raboteau, Elizabeth Rush, J. Drew Lanham, and Helen Macdonald will shed light on the unique challenges that nature writers and climate journalists face. This course will take place on Zoom on Sundays, November 3-24 from 12 to 2 p.m. EST.

Filed Under: climate change, teaching, writing tips Tagged With: class, climate change, Elizabeth Rush, Emily Raboteau, Helen Macdonald, J. Drew Lanham, literary, workshop, writing

Solastalgia: An Anthology of Emotion in a Disappearing World

February 14, 2023 By meerasub Leave a Comment

Cover of Solastalgia with a feather floating in a grey sky.34 writers. One planet in flux. How are we processing the changes underfoot and overhead? Join me and other educators, journalists, poets, and scientists as we try to put words to the experience of what Australian philosopher Glenn Albrecht coined “solastalgia”… “the homesickness we feel while still at home.” Edited by Paul Bogard, author of The End of Night and many other books.

Perfectly fitting to release it today. A valentine for the planet. <3

Find your copy today. 

 

 

Filed Under: anthologies, climate change, News Tagged With: anthology, climate change, climate crisis, eco-grief, Paul Bogard, solastalgia

The World As We Knew It

June 15, 2022 By meerasub Leave a Comment

Book cover of The World As We Knew It

The world is changing, in a fast and furious way. The World as We Knew It: Dispatches from a Changing Climate is a new anthology chronicling that change in real time. Co-edited by Amy Brady (now the Executive Director of Orion magazine) and Tajja Isen (author of Some of My Best Friends: Essays on Lip Service and editor for Catapult Magazine) brought together an amazing roster of contributors including Elizabeth Rush, Emily Raboteau, Mary Annaïse Heglar, Alexandra Kleeman, Kim Stanley Robinson, Omar El Akkad, Melissa Febos, and so many others. In my essay “Leap,” I wrote about ticks, and the love child of Poseidon and the earth goddess Gaia, and summer rituals, and more:

Now, I can’t stop the calculus in my head as I interact with the places that once offered solace. This is what climate change is. It’s what it does to the psyche, along with the body, and the places we love. It’s nearly invisible until the moment something startles you into attention. A creeping catastrophe, waiting with arms outstretched to deliver a suffocating embrace. And once the knowledge is gained, there is no unknowing it. You are no longer climate blind. You see and cannot unsee.

From the starred review from Publishers Weekly: “The pieces create a moving mix of resolve and sorrow, painting a vivid picture of an era in which ‘climate change is altering life on Earth at an unprecedented rate,’ but ‘the majority of us can still remember when things were more stable.’ The result is a poignant ode to a changing planet.”

Filed Under: anthologies, climate change Tagged With: Amy Brady, anthology, Catapult, climate change, Tajja Isen

Strange Gardens

October 22, 2021 By meerasub Leave a Comment

By Alicja Wróblewska

It was a pleasure to explore Alicja Wróblewska’s art for the latest issue of Virginia Quarterly Review. Here’s how “Strange Gardens: An Effervescent Vision of Plastic’s Impact on the Ocean” begins…

What is beauty for? What is its source? Polish artist Alicja Wróblewska thinks about such things as she fashions fanciful sculptures, snaps photographs, and creates collages both analog and digital to explore the impact of plastics on ocean health. With a background in political science and commercial photography, Wróblewska lives in the tense space between the consumer societies we inhabit and the wreckage they leave behind.

She’s slipped away from work into the sunlight of a Warsaw park to speak to me, her long brown hair lifting in the wind as she walks with her phone, seeking…

Read the rest here.

Filed Under: Anthropocene, climate change, journalism, photography, plastics Tagged With: Art, climate change, ocean, ocean acidification, plastics, pollution, Virginia Quarterly Review

On America: Writing & Reading the Environment

November 4, 2020 By meerasub Leave a Comment

From our home places, we convene. It is tonic. To get a chance to explore storytelling with these talented writers, all approaching their craft from different angles, was such a pleasure. Here’s the full post about the October 1 event, with an expansive suggested reading list. We were: a panel of writers, journalists, and climate change activists considering the formal, structural elements environmental writers can bring to storytelling, how to handle or tell stories that support political stances, and examine the stories out there that can foster a better understanding of our environmental crisis. But it was so much more. Exploring systems of reciprocity, how far writing can reach (will there ever be another Silent Spring?) and, and, and….

Have a look. And then pick up Kerri Arsenault’s rooted true tale Mill Town. And Bathsheba Demuth’s exquisite Floating Coast. Travel the world through John’s latest Freeman’s: Love. Seek out the deeply thought-through essays on climate and the hard questions they force upon us by Emily Raboteau and Meehan Crist.

Thanks to our hosts: Center for Fiction in collaboration with Orion Magazine and the National Book Critics Circle as part of the Brooklyn Book Festival’s Bookends series.

Filed Under: climate change, events Tagged With: Brooklyn Book Festival, Center for Fiction, climate change, journalism, National Book Critics Circle, Orion, readings, writing tips

Climate Change as Threat (& Opportunity) Multiplier

May 26, 2020 By meerasub Leave a Comment

My year at Princeton University is coming to a close, although the second half of the spring semester was disrupted, as everything has been, by the COVID-19 pandemic. But I still wanted to share the syllabus for the class, which includes the adaptations I made given the shifting situation. After spring break in March, we all transitioned to Zoom, and our planned trip to a local farm to learn about carbon farming had to be cancelled, but the class remained a great series of discussions, inquiries, tough questions, thoughtful answers, exciting possible solutions, and more.

Here’s the description for ENV 381, which was cross-listed in journalism and urban studies:

The US Department of Defense has called climate change a “threat multiplier,” referencing military bases inundated by sea level rise and increased global political instability from extreme weather events, especially in vulnerable countries already struggling with poor governance and impoverished populations. Likewise, among conservation biologists and urban designers, farmers and social justice activists, there is acknowledgement that perennial challenges are all exacerbated because of a rapidly warming planet for these same reasons. Every aspect of life on earth, for humans and other living creatures, is changing. This class will explore everything from the state of songbirds to the national security concerns of war hawks to agriculture to urban design to storytelling to social justice. The aim is to understand how, while climate change aggravates existing struggles, innovative climate action solutions might also help ease them.

As always, feel free to reach out to me with your suggestions or to let me know if you’ve adapted it for your own class. Here’s the full syllabus:

ENV381_SYLLABUS_ClimateChangeAsThreatMultiplier

Filed Under: climate change, journalism, teaching Tagged With: A River Runs Again, biodiversity, climate change, COVID-19, girl power, human migration, military security, organic farming, pandemic pedagogy, pollution environment, Princeton University, syllabus, teaching, water

(Cancelled) New Imaginings: Storytelling, Science & Activism

February 22, 2020 By meerasub Leave a Comment

Imagery: Jules Bartl/BBC World Service

*Due to the coronavirus/COVID-19 crisis, this event has been cancelled*

During my time at Princeton University, I have the pleasure of organizing an event, and I decided to shape it around the powerful novel The Overstory. If you’re in the Princeton area on March 26, please join me. And thanks to Jules Bartl and the BBC for letting us use this exquisite image for the event (check out the short animated film!).

More event info here.

Award-winning environmental journalist Meera Subramanian will host the discussion “New Imaginings: Storytelling, Science and Activism” featuring Pulitzer Prize-winning novelist Richard Powers, author of The Overstory; Robin Wall Kimmerer, SUNY professor of environmental biology and author of Braiding Sweetgrass; and forest activist Timothy Ingalsbee, executive director of Firefighters United for Safety, Ethics and Ecology.

Subramanian, the 2019-20 PEI Barron Visiting Professor in the Environment and the Humanities, will lead a conversation exploring how the work of scientists, artists and activists come together to inspire fundamental shifts in perspective. From the underground networks that feed forests to how human activity impacts the upper atmosphere, our understanding of how the world works shapes our minds, the stories we tell, and the way we act.

This event is free and open to the public. Books will be available for purchase from Labyrinth Books.

Thu, Mar 26, 2020
4:30 PM
 – 7:00 PM
Princeton University, McCosh Hall, Room 10

 

Related show

  • Author: Meera Subramanian
  • Tour: Teaching/Workshops
  • Date: March 26, 2020
  • Time: 4:30pm
  • Venue: Princeton University: McCosh Hall
  • City: Princeton , NJ
  • Address: McCosh Hall, Room 10
  • Country: United States
  • Cancelled
  • More information
  • Notes: Award-winning environmental journalist Meera Subramanian will host the discussion “New Imaginings: Storytelling, Science and Activism” featuring Pulitzer Prize-winning novelist Richard Powers, author of The Overstory; Robin Wall Kimmerer, SUNY professor of environmental biology and author of Braiding Sweetgrass; and forest activist Timothy Ingalsbee, executive director of Firefighters United for Safety, Ethics and Ecology. Subramanian, the 2019-20 PEI Barron Visiting Professor in the Environment and the Humanities, will lead a conversation exploring how the work of scientists, artists and activists come together to inspire fundamental shifts in perspective. From the underground networks that feed forests to how human activity impacts the upper atmosphere, our understanding of how the world works shapes our minds, the stories we tell, and the way we act.

Filed Under: climate change, events, News, readings, teaching Tagged With: climate change, ecology, event, forest, Princeton University, Richard Powers, Robin Wall Kimmerer, Tim Ingalsbee

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